Meetings are held at Hartington Grove Friends' Meeting House, from 7.30 pm to about 9.30. Hartington Grove runs between Hills Road and Cherry Hinton Road, Cambridge.
Upcoming General Meetings
Helen will give part talk, part workshop about the "Emotional Resonance and the Short Story".
Sheis a Lecturer of Creative Writing and Publishing at Anglia Ruskin University in Cambridge, England. Her first collection of fiction Hair Side, Flesh Side won the Sydney J Bounds Award in 2013, and Gifts for the One Who Comes After, her second collection, won the World Fantasy Award and the Shirley Jackson Award in 2015. Her debut novel Everything that is Born is published by Random House Canada in 2018.
Jane Phillips completed a two year MA course at City University, London - Creative Writing, Novels (Crime), in October 2016. Was it expensive – yes she says, was it worth it – yes again. What did I learn? I'll tell you in November she promises - with some handouts from the course.
Les Brookes attended a couple of Arvon courses and is happy to present on them. The courses he attended were widely separated in time, 1982 and 2011, and in content – the first tutored by two poets, the founders of Arvon, and the second by two novelists, Philip Hensher and Sam North. Les will focus on what he gained from them and the qualities of a good tutor.
Hannah Hooton will tell us about the Creative writing Access course she did on Creative Writing, English Literature and Journalism, and the Bachelor's course on Writing and Film Studies, and her Master's course on Creative Writing: Scriptwriting, so she has done so has plenty of resources to talk about.
Beverley Steffert will give an overview of Pillar Alessandra’s workshop - this was given non-stop by an effervescent American screen writer, who in typical American super-motivation style promised to stop us procrastinating, get our story into the wide world, and add zing (whatever that is) to our dialogue. This will be contrasted with a local adult education course in Cambridge who had everyone write their idea for a story in summary and then in each class had us move the story forward using a story writing framework. These seem typically American and typically English ways of doing things!
Hemingway said "If you can throw away stuff that would make a high point of interest in somebody else’s story, you know you’re going good."
In this workshop-based evening, Tim Love will look at how to edit your texts - adding as well as throwing away - starting at the word level then working all the way up to shifting the order of chapters. He will also suggest ways to conquer the inhibitions that make it difficult for us to edit our own pieces.
Jane Woodrow is a local writer, writing for TV, eg, In Suspicious Circumstances, The Bill, The Thieving Headmistress etc. Also she is a criminologist and crime author appearing on news programmes, documentaries and factual dramas about serial killers. Her books "Rose West: the Making of a Monster" and "After Evil" - telling the true story of a 17-year old whose mum was murdered by the Yorkshire Ripper - are published by Hodder & Stoughton. Her thriller "Between Two Worlds: a Detective Hoban Novel" won an honorary award at the San Francisco book festival. Jane was educated at London and Cambridge Universities, where she became a research fellow and associate. She has just completed her fourth book on crime.